Short Fiction

“Bodies at Rest,” Nimrod International Journal, Volume 67 (No. 2), Spring/Summer 2024

“natura morta / still life,” Hayden’s Ferry Review, Issue 71, December 2022

“How To Center,” Bennington Review, Issue 11, November 2022

  • Nominated for the 2023 PEN/Robert J. Dau Short Story Prize for Emerging Writers

This work of speculative eco-fiction begins simply enough with a shocking scene, a father burying a shark in his tomato garden. We follow the growing young female narrator as she works her way through burgeoning feeling of desire, hunger, and imagination. The garden and the girl grow, nurtured on the blood and flesh of the shark. Ingenious in design, the story has a braided-in underlife narrative layer, characterized by deep time geological scenarios, where we learn the evolutionary history of the shark and its ancestors, and we are reminded of our own deep time history and biological connections to our evolutionary ancestors.
— Debra Marquart on "natura morta / still life"

Academic

The Veilmakers,” Bard Digital Commons, May 2020

Joint Senior Project submitted to The Division of Languages and Literature and The Division of Social Studies of Bard College.

  • Recipient of the Franz Boas/Ruth Benedict Prize to recognize outstanding Senior Projects in anthropology

“Net Bags and Looking Glasses: Writing in Sympoiesis,” University of Washington, June 2023

A Critical Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing to the English Department of University of Washington.